LUCIE’S
BACK IN TOWN--
WHERE SHE BELONGS!
Written by Frank J. Avella
Photographed by Jowy Romano
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Lucie Arnaz
The enchantress.
Lucie Arnaz tossed herself quite the birthday bash
at Birdland on July 17th. The event proved to be
an enthrallingly entertaining extravaganza with
Lucie tirelessly performing a two-hour concert.
(When was the last time ANY artist did a set that
lasted longer than one hour?) And the beauty of
the thing was that each minute was sensational!
Jonathan Pryce Enjoys the
Show
The delightful evening
was peppered with fabulous guest stars, most of
Lucie’s family and a star-filled audience--including
Jonathan Pryce as well as many of the terrific composer/lyricists
of the songs she sublimely sang.
Lucie Arnaz happens
to be making her much celebrated return to Broadway
costarring in the Tony Award winning musical, Dirty
Rotten Scoundrels, after a ridiculously long
absence. Her last time onstage was in the 2001 London
production of The Witches of Eastwick: The Musical,
which I saw and immensely enjoyed! Back then Lucie
looked and sounded fantastic so I was excited to
experience what she had in store for the friend-filled
Birdland audience.
Intro’d by
the dynamic Cast Party showman himself, Jim Caruso
(if the industry gave out knighthoods, JC would
surely be a Lord by now), and backed by a killer-talented
band, Lucie took to the stage with the rousing,
“Lulu’s Back in Town,” and proceeded
to set the bar incredibly high for herself! In impressive
voice, exuding sexual energy and looking damn amazing,
one had to wonder if she made some pact with Ian
McShane’s devil character, while doing Witches,
to stay thirty forever!
Lucie Arnaz and Julie Budd
Among the eclectic musical selections,
hilights included the standards: “Moonglow”
and “Witchcraft’” where Lucie
brought a new and invigorating sensuality to the
oft-heard chestnuts; “They’re Playing
Our Song” from her Broadway debut musical
of the same name; the showstopping “Who’s
the Man” from Witches of Eastwick--The
Musical; a killer “Something’s
Gotta Give” arrangement with Billy Stritch
as well as a jazzified hot “Walking After
Midnight”.
Her between-song-speak wasn’t
the typical banal banter we usually get from many
celebs. Lucie delved personal, speaking about the
influences of her father’s band on her growing
up and telling some very funny theatre stories.
She incredulously ‘hated performing’
as a child. She lovingly spoke of her husband, actor
Lawrence Luckinbill and her two children, who were
there, at the bar, to support her. (At the bar,
because the show was such a sell-out, her own family
couldn’t get seats!!!)
Through it all, Lucie’s
marvelous and highly underrated gifts as a comedienne
were glaringly obvious. The woman is hilarious,
as was quite evident when she introduced one of
her own penned song parodies in response to the
sexist ditty: “To All the Girls I Loved Before,”
but instead of Willie and Julio, her version featured
Dolly and Charo. She then sang the duet AS Dolly
and Charo. It was a side-splitting bit with a feminist
edge.
Valerie Pettiford and Lucie
Arnaz
More divine delights
followed as we moved into the guest portion of the
evening. Comic Julie Budd took to the stage and
joined Lucie for a magical rendition of “If
He Really Knew Me” from They’re
Playing Our Song. The sultry Valerie Pettiford
(Fosse) and La Arnaz dazzled the blues out of “Ain’t
He Sweet” and then Valerie flexed her vocal
muscle on “Can’t Help Lovin’ Dat
Man” from Showboat.
Lucie Arnaz and Phoebe Snow
Next, grande dame
Phoebe Snow (who shares the same birthday as Lucie)
near stole the show with her powerhouse “Time
After Time". The extraordinary continued as
entertainment vet and delicious diva Michelle Lee
sexed up the room and then surprised Lucie by dueting
with her on “Nobody Does It Like Me”
from the musical Seesaw (Michelle was the
lead in the original Broadway production, Lucie
took the show on the road.) It was a classic musical
theatre moment.
Michelle Lee
Proud mama Lucie, then brought
her son, Simon, onstage to play the Conga drum while
she transformed into a fiery Latina and paid tribute
to her dad, Desi on a couple of songs (notably:
“El Cumbanchero”). Again, the genre
of music changed but the electricity intensified.
Finally, Lucie ended with a gorgeous
arrangement of “Hey, Look Me Over” from
Wildcat, her mom’s only Broadway
musical. She dedicated the moment to her daughter,
Kate, a theatre major on the cusp of graduation:
“This is me and mom, singing it to you.”
It was the perfect ending to a perfect evening.
Happy Birthday!
Lucie Arnaz and Her Daughter Katherine (Kate) Luckinbill
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